Roll Call (California night): Serge (Joseph), Mark (Philip), Alex (Darrolid), Jene (Mildor), Paul H. (Janaki), Dan, Jo (Rosalie), Bobbi (Lillith), Paul T. (Antolian), Gail (Sofia)

Session starts at 7:50 PM.

KRIS: So we thank you all for your lovely presences, those near and those far; those friends that can be seen and those that cannot but that certainly can be heard. And though no one in this room can SEE your presence, obviously technology has provided an instrument through which your presence can be acknowledged. And through this wonder of technology it is easy to understand that you have your being and your existence even though you are nothing more than the reverberation in the back of a telephone.

And as such, we wish to briefly continue our discussion of soundlets as theoretical blueprints of consciousness within your reality and within many others, and just as your presence is indicated by the technological advent of the telephone for it could even be live centre feed for any other instruments and implements of technology, it provides the possibility for you to straddle more than one geographical location simultaneously. And if this telephone were appropriately set up for a third party call, then perhaps someone in Germany or Europe or Asia could also participate and their presence would also be known to you, as yours to them. And you would all obviously then be in many places at once. And similarly with those units of consciousness we have specified as soundlets produce their effect in simultaneous realities, giving foundational blueprints for the creation of pre-matter as you understand it, which leads to the formulation of matter as well as the formulation of post-matter for all intents and purposes.

These soundlets then provide the opportunities for your states of mind, for your consciousness and your presence to enter into the reality that is created in terms of matter as you understand, even though you have your existence well above and beyond those specific parameters. And though we are not necessarily fond of the word vibration because of its rather ‘woo-woo’ connotations with your so called new age phenomenon, still the word would be consistent because there is a manipulation of energies as it is transformed into matter so that you can experience a very specific and concentrated range of given actions through the auspices of matter as you know, even though you have your existence well beyond that range of matter.

The soundlets provide the necessary tools which with your energies build up and transform consciousness into living action as it is incorporated through and with your physical bodies and all of what is the reason and the intent for your physical forms or your focus personalities. And embedded within these soundlets are concepts that you then study and experiment with to one degree or another and lead those experimentations through the auspices of your convictions, your emotions, your feelings, and the whole tone and range of tonalities that are part and parcel of being yourself, as essence and as focus personality, an expression of essence.

Further embedded within these blueprints of soundlets are additional concepts that you interpret, within the given range allowed you within the parameters of physical expression and experience. And while, of these the most important of all, is what you experience as love in all of its forms including erotic or Eros-love, love of a parent for child, mother for child, child for parent, of lover and beloved; even to the extreme range of that experience when instead of lover beholds the beloved in affection then the individual holds the ‘enemy’ in concentration.

Your experience of that state of awareness is the interpretation you have come to experience within this sphere of physical interaction even though you know that, behind the scenes of all of the props and the forms within matter, there is still an even greater concept to ‘love’ that you have directed your focus into the expression of reality as you live it on a daily basis as the means to understand the very unique, specific, extraordinary experimentation in the concept of love giving those faculties you have to work with, given those convictions that you have to use for your experiences.

So love as you express, experience and live it, is indeed not necessarily a thing but a state of grace that you CANNOT do without and that you cannot deny, but you certainly have the right to not perceive it, and it imbues all of consciousness. It provides you with the fuel necessary to continue your joyous explorations of reality creation from the simplest to the most complex of the personality structures given you within the framework of reality both in the past, in the present, and in your tomorrows, because love brings about the state of eternal present.

And though someone may try to ignore love in any of its expressions, even the denial and the ignoring of it requires an acknowledgment of it. But a refusal due to beliefs or convictions in the manner that eventually can prove harmful to the entity, if corrective steps are not taken to heal those situations that cause discomfort in the presence of love, which will be everywhere.

We will give you a short pause. There are some activities in the background that are occurring, and Joseph needs a breather momentarily.

Break starts at 8:04 PM.

(Conversations at Break: Everyone was wondering what was going on behind the scenes. Serge said that he thought it had something to do with a sort of waking dream he had just before falling asleep the night before.

SERGE: I could see myself sitting in the chair talking for Kris but there were sounds coming out of my arms and different parts of my body and I was rocking left and right a little bit. Just about an hour ago I felt a huge acceleration of energy and it was funny because it was simultaneously trying to pull me away or to another place but also really concentrating me where I was. It was like a DUAL state at that time. It has not really left and Kris is really strong, I guess.

MARK to ALEX: Did you notice the hands? I’ve never seen him do that before.

ALEX: Hi this is Alex. Mark was just commenting on that when Serge was Kris he was moving his hands quite dramatically, more than he usually does.

MARK: He was doing this rubbing motion with his finger tips, with his thumb on top of his finger tips. It was fairly constant that would accelerate then decline, accelerate then decline.

PAUL: Serge is getting a real personal experience of these soundlets then.

ALEX: Yes. Hopefully Kris will explain it when he comes back but that’s what I think is going on.

PAUL: Yes and this happened a lot with Jane. She would get a conceptualization of the material and then she would of course write about it in her book.

VARIOUS PEOPLE commented on feeling the energy exchange as stronger than before.)

Return from break at 8:12 PM. (15:07)

KRIS: Indeed, the exchange with Joseph has been building up in a different manner of late which picked up momentum over the last twenty-four hours. So we are simply following through because Joseph is on his own, unconsciously, searching his awareness to try and grasp some of the concepts we are presenting. Specifically concerning soundlets and what exists behind the scenes, behind the expression of the words, what exists to give the words their meanings, the intent, the drive that generates the formulations and the material itself.

As we have explained, soundlets are indeed a true blueprint upon which so many foundations are laid. And out of which different species, consciousnesses, and civilizations of being take their root and manifest into various versions of your realities, all at once. Even when you have no idea that such potentials exist. Even when you think that what you see and detect with your eyes and other physical senses is all there is to see and hear and touch and behold, what each of you beholds with the complex organism that expresses your focus is a direct extension of whom and what you are in every aspect of the word.

Those manifestations, whether you call them the natural world, cities, forests, mountains, the Earth, planets, birds, bees, these are partial expressions still of what you are. And from deep within the core of self, of essence, there is a specific expression of, an iota, a simple particle of soundlets that gives rise to all of what you are and through your corporeal expression is an extension of that inexpressible power and energy that even a million suns cannot outshine. Such is the energy and power of within your being.

You give it expression, you speak it when you formulate a word, sounds, and you are not aware then of the entire alphabet of your being both as essence, and as a focus, and as the many focuses that all together still do not make up the sum total of your essence. And that melodiously express a large incomprehensible symphony of this soundlet concept. And even when you produce a sound through your throat and your mouth you are barely aware of the power of that expression, thinking it is merely a few words and that words may have some kind of meaning without realizing that you are furthering the creation process because your words are themselves extensions of massive waves of communications from deep within essence coming through you at any specific time as the source of your being and power.

You have structured your words in and with syntax that your social structures afford you and teach you without realizing that all of these structures and all of the words and all of the syntaxes are constructed upon a larger psychological body that may not be so neatly and cleanly and grammatically and syntactically perfect in that sense of the word. And it may come as a deeper sound that you do not hear as well as the sounds that you hear. Different cultures have managed and some have now lost their understanding but many cultures have managed to understand that there are also sounds produced that do not make sound, that exist between the sounds that are not heard that give form and shape to the sounds that are heard. And if you could hear sounds formulated in a non-syntactical manner it might even confuse you, it might not sound well to your ears because you are not accustomed to it.

One such demonstration of producing sounds that are non-syntactical was given by Ruburt with his Sumari singing. And though we have briefly touched upon this in the past, it is difficult for many individuals to tap into a similar pool of awareness and altered state that would enable the production of such sounds even if not as delicately done by Rupert.

The other families of consciousness that can also intonate their sounds whether they belong in your cluster or another such as our own, for all of these things exist so suspended within the realities structured of the concept of soundlets within the blueprints themselves. And have their growth and their perceptions and manifestations based upon those blueprints.

Sound as you know it is the result of actions of activities that may even be the non-physical, non-visible, but only the presence of those non-physical, non-visible activities can be known because of the effects they give in your dimension as the sounds YOU know. There are other ranges that are not detectable yet and there are other sound structures that may indeed come and touch you deeply in terms of energy projection. And though it may not necessarily be pretty in the sense that you normally associate with singing, these sounds also have deep embedded values that circumvent even the neurological pathways you have established and reach deeply within other kinds of neurological pathways that still circulate within your own human brain.

Ah, Joseph is willing now to step outside of the kinds of boxes even HE normally steps outside of. Now, if such sounds were intonated you might be able to reverberate wherever you find yourself, when you hear such things like...

Here Kris intonates a series of notes which to my ear were reminiscent of North American Indian chanting but without any type of words behind the notes. Listen for yourself here (click on the square - for Real Player only):

Now we’ll not carry this much further for the time being lest Joseph object to those funny voices coming out of his mouth. But, these kinds of sounds, at least can be considered as unusual and can be used and have been used, in the foundations of even civilizations that give birth to unique concepts.

So what is the time?

MARK: 8:30

KRIS: We will give Joseph another small, well deserved pause.

Break starts at 8:30 PM.

(Conversations at Break: Prior to Kris chanting many people felt distracted in some way due to the deep trance. Those that were distracted commented on how the chant changed that and brought them into focus.

Alex commented that she wondered why he picked the sounds that he did. Was he actually ‘saying’ something? Paul said that he wondered what the actual tones were.

Serge asked everyone how they felt as a result of the chant and Jo commented that she felt as if SHE was being tuned. There were comments about feeling recharged as well).

Return from break at 8:40 PM.

KRIS: Now, in case you are wondering what this was about, the intent was to provide a certain means by which you yourselves would be able to resonate when certain sound intonations are directed your way so that you could observe and comprehend how your own body itself CONTAINS sounds that will react in a manner, when these types of non-linear sounds are produced. Does that make sense to you?

PAUL H: Non-linear sound is a tough one but I think with soundlets that’s where you’re going with this. It’s hard to conceptualize it.

KRIS: Indeed. As it is difficult to verbalize such concepts that are normally not perceived in your reality, but still exist. But the sounds that we managed to produce through Joseph’s vocal cords required a specific state that dipped deeper in samma brainwaves and at the same time enabled the projection of the energy within it even to the other side of the continent, and even if the telephone mildly distorted the vibration you still felt its energetic effects, correct?

PAUL H: That was a... when Serge and you were doing that, and Serge’s brain slipped into a ‘samma’ wave pattern to access those tones.

KRIS: Indeed and if you pay attention to where you were each drawn to subjectively, it was a direct result of the energetics going through the sound and reverberating with your own consciousness. For each of you experienced an individual transfer and exchange of energy as you can accommodate to one degree or another. Does that make sense to you (Castaic group), as well as in this room?

PAUL H: All of us here in the room were talking about that during the break.

KRIS: So the sounds themselves can, as you have all correctly perceived, be understood as a means to bring about a type of tuning to your biological self. Now if you also notice that it had this psychological effect as well and your bodies, physically speaking, feel somewhat different and even lighter for the sounds also run the gambit of the gateway system so that there is an inner resonance as well as an outer physical resonance. Do you follow?

PAUL H: Yes.

MARK: I noticed during the break Jo commented on it acting as a tuning device and somebody else actually mentioned gateways on the break as well.

JO: So I would appreciate it if you would consider doing a lengthy recording of that so we could put out a CD because I could listen to that for hours.

KRIS: This can be accomplished. It would require a bit more practice to enable Joseph to be comfortable accessing those states. Even though subjectively he might think everyone’s now gone off their rocker, (laughter) including HIMSELF, but it can be accomplished and the effects will be demonstrated.

Some ancient civilizations and cultures of your world whom did not have various types of technologies and instruments to produce sound waves that would enable them, for instance to move large stones, would also use this type of or something very similar to this type of intonation to alter certain types of physical construction structures on a smaller scale. But most specifically to introduce these types of sounds into an individual’s body that may be out of alignment energetically as a result of which would come about the manifestations of certain illnesses and conditions.

Over many millennia, some of these traditions were eventually diluted and reduced to some of the chants practiced in native cultures and other groups with musical instruments which could still have an effect but whose original roots would have been lost to history as you know it. And today your society is beginning to rediscover the applications of sound intonations for individual well being. Some have also, as in Antolian’s tool (note: it is actually Jim’s tool) he has formulated an interest using sound machines that produce the proper vibration for healing different body parts.

But still these sounds can be cultivated and studied and used. Certain ancient Bon traditions have evolved into Buddhist traditions that use sounds in a slightly different but effective manner as well though it is mostly used now for religious purposes though there was a time when they were used for purposes of well being. But as we believe, the Kyoto monks still practice today. Is this correct? Perhaps someone in California would know?

MARK: Kyoto monks?

PAUL H: I don’t.

DAN: I heard one of their chants.

PAUL H: I’ve heard the Buddhists, some of their different... I don’t know the exact name, maybe I have actually heard it, its that beautiful deep low tones, a very guttural sort of (he makes a low tone that sounds amazingly like an Australian didgeridoo) and thirty folks doing that so they actually get... the harmonics are focused in the major chords and it’s a deep meditative state is achieves and it’s a type of singing. They toured with the Grateful Dead I think, was connected with them and helped bring them over and get them exposure, so anyway something that we’ve heard of.

KRIS: These monks have from childhood practiced and developed the ability to use different sets of vocal chords simultaneously to create a very unique harmonics within their throat. It is called throat singing. This is an offshoot of an ancient science.

PAUL T: Kris, this is Antolian. There was a book which was reputedly fiction but appears to be based in fact called “Mutant Message from Down Under” where there was a case of healing a broken leg using sound. Would that be an example of this sort of singing, for lack of a better word?

KRIS: Indeed. Very few aboriginal people even today remember this ancient science. And much of it is also an offshoot of practices cultivated in the ancient Vedic civilization with the use of mantras, many of which have now been turned into religious edifices and ceremonial performances. These are the remnants of something far more intricate.

PAUL H: This is Paul again. In the first Oversoul Seven book there’s an example of this inner sound where in the Valley of the Speakers they gather around and through intention manipulate some kind of inner sound and literally build a stone house. I’m assuming that’s an example of what we’re talking about. And also we have the technology through synthesizers or whatever to simulate these rich human tones but there’s also intentionality behind the tone. Meaning I could just press a key on a synthesizer with no intention to do anything and in effect would not be a healing or tuning or even a manipulation of matter effect, right? So, I’m asking about the nature of human, the essence, the consciousness focus personality’s intent behind directing and receiving these sounds.

KRIS: Indeed. Though the synthesizer may produce something approaching it there is still a certain degree of reverberation within the physical bodily cavity adding to the energy and the intent the synthesizer cannot reproduce. The intent does have the determining factor. And if you had, for instance, one hundred individuals gathered together producing such altered states and sounds you would very quickly gather that they would all fall within range of each other because they would function as a melding of a unit quickly. And the unified sound would be extremely intense. But it would most likely even produce the effect of the sending some individuals on the peripheries or the outside of this group into out of body states. And have a definite effect perhaps upon the most subtle of physical matter constructions. But eventually with practice in large groups a certain degree of telekinetic influence can be produced. And with even more practice those who intone can add essence mind to the production opening specific portals of consciousness that can even allow brief momentary openings into other dimensions. Do you follow?

PAUL T: Oh yeah. Are you going to teach us how to do it?

PAUL H: We’ve got a group here. (laughter)

MARK: Kris, I’m wondering about the Tam-Tam in Montreal. Even though it’s not vocalization its percussion, but this event that happens every year, every weekend in Montreal where everybody is on the side of the mountain with a percussion instrument of sorts, all of them become one unit and if you’re in the area, in the VICINITY of this beat, it is such a wonderful, wonderful feeling.

KRIS: Indeed, it does transport all of those in the vicinity. The effects can be tremendous when it is directed intonation with intent. For instance, even though the instruments were not voice, Nicola Tesla demonstrated that with consistent, persistent, constant tapping on one specific spot the reverberations were felt as much as one, if not two, miles away. This is in his writings.

MARK: Wow.

KRIS: We are not speaking here of taking something the size of a mountain to hit with. We are talking of something only a few inches across. So the sound spread through physical and non-physical atmospheres. And so these intonations can have a far reaching effect if they were, for instance, intonated by a group and even broadcast to a larger audience. Imagine the sound we produced magnified to a factor of ten, where you might be at this moment. Does that make sense?

MARK: Yes.

PAUL H: I don’t know, I was just also thinking of a Grateful Dead concert or a Fish concert where the sound energy and people there, their intention is different. Their intention is pleasurable and fun and there is an altered state, so it’s not the same as moving matter or doing something else. But I’m sure in a lot of those situations there are some rather paranormal effects going on that no ones even noticing because they’re in their own zone in those times.

KRIS: Indeed.

PAUL H: What’s your perspective on some of those concerts, Kris?

KRIS: Some individuals, and there are always some who are not stoned out of their gourds (wild laughter), that notice alterations of perceptions, even out of body projections if they catch the right wave. And the energy generated by such large crowds can only add to the momentum.

JO: Kris, what about the Beatles phenomenon? It’s that the energy seems to be something deep and resonant about that. I know it’s a little bit different in the experiences live. But, can you comment on how it relates to what you were just saying?

KRIS: Now, even though they were all charming it was not necessarily the cause of their haircuts, (laughter) but they basically broke with tradition. They helped the culmination of this movement to go beyond the regular manner in producing music and sounds, especially with in-your-face live experience songs that spoke to the new generation. They brought to the forefront a new manner of understanding and marrying self with music in a way that the new generation was more than ready to accept. They needed, as much as the Beatles and that whole phenomenon needed each other. They were part of the process and because of their avant-garde nature of their ability to reach the ordinary individual in that specific way, they crossed and overcame boundaries and they helped introduce into your system a totally different manner of relating living experiences and music phenomenon together. It was no longer like listening to Burt Bacharach or The Classics, but it became a vital, immediate expression through music of the everyday man and woman. But it helped create an entire generation of new sounds that are still felt today and will be felt for decades more to come. Does that make sense to you?

JO: It seems as though it, to me, couldn’t have been accomplish if the tone of the music and the melody hadn’t been what it was. If there was a lot of…some logical reasons but it wouldn’t have been accomplished if their music had been different.

KRIS: Indeed. They literally stumbled upon something that would tap into the psychic energy, the vibrant energy, of that generation and give it an expression, an outlet. So the Beatles were as much a phenomenon of their fans as the fans would have reacted to the phenomenon of the Beatles. Does that make sense?

JO: Yes. Thank you.

MARK: Kris, I have a question. I can’t remember what year it was, but all the planets aligned and large groups on the planet that did that harmonic chant with intent that after the fact was dismissed as a bunch of rubbish. But, did that actually have an effect?

KRIS: We believe that you are speaking of that so called Harmonic Convergence?

MARK: Yes.

KRIS: Was this in 1987?

MARK: Could be. To the best of my knowledge.

JEAN: 1986.

JO: Jean says its 1986.

KRIS: Indeed.

JEAN: I was there. I did it.

JO: Maybe you would like to demonstrate. (Laughter)

KRIS: Though eventually there were many distortions and colossal ventures set up upon that idea, this planetary alignment was rare in your lifetimes and did bring about a psychological influence which helped to step up, accelerate, awareness in a certain manner. And though it eventually became dismissed as a fad of the moment, the effects were indeed TANGIBLE to a certain degree. Observe some of the nature [of] world events within months afterwards, even years afterwards.

PAUL H: The Berlin wall came down, I never though I’d live to see that change happen.

KRIS: It was, we believe, the beginning of the end of the Cold War, correct?

PAUL H: Yes.

KRIS: Many other more subtle events occurred but to categorically dismiss it as nothing but a fad is not entirely justifiable. Whenever there are such phenomenons and coming together of the groups of people, large groups of people, with the common intent there are always subtle shifts of consciousness, steps leading towards more and more changes of perceptions and awareness.

For instance, if a group of one hundred individuals tapped into the same intonations we produced and instead directed the sounds through intent, through essence, directly into the collective psychological body of humankind, as opposed to into a storm or into a wall there could be observable results over several months and perhaps even years. You would certainly not see major world events. You would certainly see an acceleration, a quickening, in some changes that would still be considered significant. And this is a much larger step out from two or three people who gather and hold hands and wish everyone some nice things. This is a powerful intent driven process that could have transformational repercussions if say you had one hundred groups of one hundred individuals at different places around the world directing the intent and the intonation into the collective of their areas, connecting to all others, you would see differences.

We believe one group did make some small attempts to introduce something similar. We believe the TM people with the Maharishi tried in establishing small centers and had a group of people meditate, elevating the consciousness of the areas, which even they were successful to a small degree. Do you follow?

PAUL H: I heard about a twenty five percent drop in the homicide rate in Washington DC. It was on a movie (What the Bleep Do We Know), I’m not sure if that was fact or a Hollywood fact, but they did the meditation in that area and said only two feet of snow prevented, lowered the homicide rate during the summer in DC and yet during that action it reduced significantly. Interesting coincidence.

KRIS: Indeed, there are phenomenal projects that can be undertaken and the act because there is a collective belief in the ineffectiveness of such a thing there are resistances set up, even by those who practice them, but by feeling the direct results is a great step in bringing about change. Change is not only afforded through politics and religions and group lobbies but they all have a vested interest. For if a change is intended for the sheer well being that comes from the change itself, then more individuals are apt to allow it into their lives because they too become part of that change.

What is the time?

MARK: Quarter after nine.

KRIS: Do you have any questions in the land of the sun?

PAUL T: This is Antolian, I have a quick one. I have the impression that you, Kris, perhaps not in this time framework but within linear time, have approximately four hundred focuses of attention in the Taaj cluster. Is that a correct impression?

KRIS: It is very good. Very close. But at present experience of time and space we have none. We have projected expressions and in large numbers as such for a variety of reasons sometimes simply to enjoy the experiences of friends or along with friends, in other times to acquire additional information. But your approximation is very good.

PAUL T: Thank you. I also had an impression that we shared a past time framework focus, I believe it was in China and I contacted it at the point where we both old men playing, I believe Mahjong, and the phrase that came to mind was, “Much talk and little action.”

KRIS: Ah, but never underestimate a good Mahjong player. (Laughter) Now, we have mentioned to Philip that we do not encounter someone we do not know. In other words, all individuals that we have contact with we know of, in one manner or another and the spectrum of those manners is wide indeed.

PAUL T: It is. Thank you.

KRIS: And have you taken the time to observe the time period approximately?

PAUL T: Um, the impression that popped in would be about 1410.

KRIS: But did you specify AD or BC? (Laughter) Think of...

PAUL T: I believe it would be AD though.

KRIS: Think of the ancient Chinese pyramids, for there are pyramids in China.

PAUL T: So the implication is that it’s 1400 BC?

KRIS: Indeed.

PAUL T: I guess we go a ways back. (Laughter)

KRIS: As any good old Chinaman would know. (Laughter) And by the way, you always left some rice in your beard. (Wild laughter)

PAUL T: Well, that would explain the humor that I find in the focus name of Gow Pai.

KRIS: Repeat again.

PAUL T: I believe that my focus name was Gow Pai?

KRIS: We believe the full pronunciation would be Gow Pan Chi.

PAUL T: Excellent. I’m speaking in the context [of], it sounds way too much like our common vernacular of Cow Pie.

KRIS: Mind you...

PAUL T: The rice in the beard makes sense.

KRIS: ...you had a cousin, another old geezer that made some cash finding buffalo patties to sell in homes.

PAUL T: And it payed off?

KRIS: And you and he always argued because it was important to try and better the other, to best the other simply for argument’s sake, because you were both too old to have any other kind of arguments. You were rather comical.

PAUL T: Ah, it’s nice to have those fun focuses.

KRIS: Indeed. Now, we will bid a good evening to you all and may all of your bowls of rice be forever bottomless.

ALL: Thank you.

(This is NOT the end of the session. Break starts at 9:22 PM.)

(Conversations at Break: Mark asked Antolian how he knew that. Paul T. responded by saying that he gets impressions that he has learned to trust. He gets them without meditation but a certain amount of quietness helps.

PAUL H: Elias is also big with impressions. He created, very early on something that he calls “The Game”. It was a big deal for the first couple of years for those of us who just came into orbit at that time. The idea of learning to recognize and identify impressions and of course having Elias to say which points were less probable and which were true. When you are laying quiet in a dream state meditation all of this stuff comes to you and you just keep it in your waking consciousness then you talk to either Elias or Kris about it and just offer it up.)

(Return from break at 9:24 PM.)

KRIS: Indeed these are excellent methods to capture the unofficial information or line of consciousness that is so readily dismissed by many individuals because it does not fit into preconceived notions of time and space and reality and seem to have no basis in the world of facts. But the world of subjectivity, the world of the unofficial line of consciousness indeed can and DOES contain vast amounts of information that far outstrips any combined computer system and networks upon your entire world many times over. And even though this unofficial information might seem very distant from the real world, you do not have the major portion of your existence in the real world as much as you have a large portion of yourself in the unofficial world.

So when you ALLOW and it has to do with allowing, those impressions to come to the surface so you can take a snapshot, a note, then indeed it does transform your perception. And it does lead you to discover not only the true nature of reality but of self. For what is self? How do you determine whom and what you are? Merely by your driver’s license and credit cards? That is not self, that is an expression of self only. The self is so much more. And by allowing these impressions to come to the surface, to make themselves known to your mind, then you DISCOVER that you are sometimes, like some, a chief or an old Chinese man who can’t pick the rice out of his beard and sometimes you discover that you are others as well and you have all of your being as the true reality. Now we simply wanted to throw that in. (laughter)

DAN: Kris, do you have time for one more question?

KRIS: Indeed.

DAN: Dan, by the way, I spoke to you the other day.

KRIS: Please ask.

DAN: My friend had a lost dog. It’s a ten year old beagle. They live on a hundred and thirty acre ranch, and they don’t know if he has gone off to die. So I was wondering if you knew anything about that.

KRIS: Whom is your friend?

DAN: Their names are Will and Jennie (I purposefully left out the last name), and their dog’s name is Hank.

KRIS: Where are they? Where is the ranch?

DAN: Fillmore, which is not far from here.

KRIS: When did Hank go?

DAN: They say it’s been over a week since they’ve seen him. I don’t have the exact date.

KRIS: Our feeling is that Hank was not healthy. Can you confirm?

DAN: Yes.

KRIS: Is this correct?

DAN: Yes, I think they mentioned that he was losing his hearing.

KRIS: Presently we still sense that energy but we do not believe that it will remain in its form for more than another two or three days. That dog is sick and may well not want to leave its place. Is there a small ravine on that property?

DAN: Yes, they call it the reservoir.

KRIS: Have they searched that area properly?

DAN: I don’t believe so.

KRIS: At present our sense is that Hank is near there but somewhat near a fallen tree trunk that has a cavity in it near this ravine.

DAN: Okay.

KRIS: That does not guarantee that Hank will be there by tomorrow.

DAN: Okay.

KRIS: For the time being that is all that we sense.

DAN: All right, thank you.

KRIS: You’re welcome. Now then, we will allow you to enjoy your own impressions of self in any way it comes to you and enjoy yourselves as the party animals you all are and do have a most pleasant evening.

ALL: Thank you.

(Session ends at 9:32 PM.)

(End Note: Hank the dog was not found)

NOTE from Marcy Singer - after listening to the chant and the one Kris did for her private session:

"I listened to them both just a minute ago and now i'm shaking like a leaf, although it's mostly internally, as if all the particles in my body have suddenly become 'excited', for lack of a better word. The movement of energy through my body is quite intense. Now I understand what he means when he talks about acceleration of vibration. This is amazing.

The session chant sounded VERY much like some of the tapes I heard at the local Buddhist monastery when I used to take classes there. They had tapes of groups of monks chanting in a kind of monotone, although there were often fluctuations to other 'notes' of the scale, but not many. Mostly one tone. The way his voice kind of 'lilted' into one of the tones was exactly how the monks did it as well. Remarkable".