KRIS: Now, we welcome you to our humble little evening and a warm welcome to our friends who are not so far away. <giggle> We hope that your Cajun Chef is as good as Joseph imagined.
NOTE: Before the session, there was some talk about Jo Helfrich being a Cajun food connaiseur.
NOTE from Serge: About 10 or 15 minutes before people showed up for the evening, I (Serge) was quietly reclining on the couch, minding my own business, enjoying a few deep breaths when suddenly out of the blue, I "saw/heard" this funny word in my mind. I say funny because it is not a word I believe I ever hear of before and I was also urged to look it up in the dictionary, which I reluctantly did, as I wanted to just relax a few minutes.
The word I saw/heard was 'singlet', which Webster's dictionary defines as: "1- having only one thickness of cloth, an athletic jersey, undershirt, 2- an atom or molecule that has no net electronic magnetic moment". As strangely as this felt, the next reaction was just a strange. I 'felt' that this was not good enough, not what "I" was looking for. Who was the "I" that was looking for something? Suddenly, abruptly, I (me - Serge) closed the book almost as if slightly frustrated and there it stayed and went away. In retrospect, I believe this was Kris preparing some materials behind the scenes for what he was going to deliver and what ended up being the word "soundlets" which I only now (August 20, 2004), found out what it is in the music industry.
SOUNDLET: A soundlet is usually and initially a very short, unfinished musical composition in sound form and without voice, eventually moving its way up the spectrum to something a large number of people would want to purchase as real music with vocals. Initially it's designed purely for copyable inspiration. It's posted on the web anonymously (by handles, of course), so that copyrights don't come into question. People can download a soundlet they like, improve upon it, or get inspired by it, and post new ones of their own. Copying one's soundlet and improving it is to be considered a kind of flattery. Eventually one can see a transition of a soundlet into something that takes on life and breathes as a really good but still unfinished tune. Finally, one takes that unfinished tune and does what they think it needs to finish it, and sends it to a record company for review. If they bite, then a tune that started out as a soundlet can actually make one some cash.
So I can see a bit more clearly how Kris' 'soundlets' is truly appropriate to his discussion.
PAUL H.: She is (referring to Jo, his wife).
KRIS: Now, if it is possible, we would like to begin our discussion.
MARK: Sure.
KRIS: We have mentioned a short while back, that in conjunction with other essences, we have provided the seeds for what became the Rama and then the Vedic civilization as you experienced it upon your planet. Do you recall that?
MARK: Yes.
KRIS: Indeed, then. So, we wish to expand somewhat upon that topic. Firstly, to help you understand, that what appeared upon your plane as the eventual development of the Rama and the Vedic civilization, which we will simply refer to as the Vedic civilization, was itself the physical expression of a culture or a civilization of consciousness, which existed upon your planet and your historical timeline but is a product of an inner culture that established itself firstly well beyond the confines of any material or physical expression, well into the realms of what you are familiar with as a regional area, the three and four and beyond or in our terms level three, four and five and so on, each slightly different but providing the impetus for what later on developed into the materialization and the founding of the Vedic culture upon your physical planet, which at that time, had a different name than the one you simply give it as planet Earth or even Gaia.
The blueprints for this culture, the seeds for this civilization flourished initially in levels three, four and five, branching off into a variety of displays, some of which could not be expressed physically and others which ended up as slight variations on the theme, again still related to this root or trunk of a culture called the Vedic civilization.
This entire process in and of itself, which is still coming through in your present day culture, in your terms thousands of years later, was initiated by an experiment with a unique concept. This concept was engaged because of some of the conditions in your plane and planet were found to be optimum for its development and that concept involved the utilization of inner sound structures.
We are leading here into a very deep subject matter. As you have likely understood or gathered at some point in time, the units of consciousness may appear different, depending upon the functions that they display and the units of consciousness may even display multiple functions simultaneously since they straddle a multitude of realities and even dimensions simultaneously.
One of these, the concept of sound, encapsulates many foundational blueprints for which became the seeds and the eventual flowering of the Vedic culture or civilization on your plane. We are making these references so that there is an understanding of the depths of the working of consciousness. So, you have then these concepts dealing with sound and sound in itself does not necessarily pertain or have to do with anything that your eardrums and inner ear may detect specifically, though what your eardrum and inner ear detect are certainly the byproducts, the offshoots, of such concepts. So, there are then what we would call “SOUNDLETS”, which you may spell s-o-u-n-d-l-e-t, which can be explained as miniscule particles of sounds that contain the designs necessary to create dimensions, planes, realities and existences that can be founded upon nonphysical, nonlinear representations.
The human individual is accustomed to thinking that if you do not hear sound, then there are no sounds to be heard, which may indeed be misleading, for you are well aware, for instance, that dogs can hear sounds well above or even below the human eardrum reach. Is that not so?
MARK: Mmhmm (yes).
KRIS: That would mean that there are kinds of sounds that exist without human individuals necessarily detecting them. In a similar manner, your scientists and physicists are now able to produce sound waves that do not register, per se, on the human eardrum but that produce effects that you can detect quite measurably so. In another similar example, you may not see the wind but you may certainly feel, or sometimes even hear, its effects in your environment. So, there are definitely things that exist in your reality and Universe that you may not be able to detect at one level but you may be able to surmise its existence by the effects that are produced from its interaction with your environments and so on. So, our suggestion that at another layer of consciousness, deeply embedded well beyond your present perceptive mechanism, there exists root realities that literally gave birth to entirely, differently, appearing realities apparently far removed from the original root concept of the reality but still presenting the effective results of the initial root reality or concept giving off still more realities as all of consciousness keeps expanding and expressing itself in this manner.
If you examine the sound capturing mechanisms in the human form, the human body for instance, you will realize that your eardrums are not the only part of your bodies that can perceive sounds and the effects of sounds, in terms of vibrations produced by the effects of sound moving through your environment whether air, water or solids, traveling through consciousness as it were. You have human form.
Other areas where you also detect sound such as the frontal lobe plate, which contains the sinus cavities, that is very instrumental in capturing sounds and vibrations. You have another such place in the chest. You may refer to it, we believe, as the sternum, which also responds to sound vibrations of different ranges. In the back of the head, you have a similar function with the cranial plate in the back of the head, which resonates with sound vibrations. And interestingly enough the very lower part of the base and your genitals also respond to sound vibrations as well as the physical body, the limbs and so on, may also respond but not as acutely as these other parts of the body that we have described. As such, if your physical mechanism, your biological self, were not capable in any way possible, to detect any form of sound or its effects of vibrations, you would not be able to develop certain aspects of the brain leaving you also challenged in other areas. Now, this does not mean that individuals who are born deaf or become deaf for one reason or another suddenly lose touch with the sound qualities found in your physical reality for they have other parts of the body that can still respond. Your entire physical reality as you know it and experience it is, in itself, very much dependent upon the products and the byproducts of the effects of the sounds as one part of this great experiment of consciousness.
As such, many individuals experience dreams, for instance, where there are types of sounds and sound effects produced that have no equivalent in your physical reality and, as such, they are often unable to interpret the qualities of the experiences in those dream venues simply because this is an unexplored domain to that degree. Physics and Quantum Physics have had to approach this type of understanding. Once they stumble upon these qualities, they may, indeed, make wondrous discoveries.
Now, we have bombarded Joseph’s brain and vocal chords with this information in sufficient manner at this time. Therefore, we will give you a small break if that 'sounds' right with you. <laughter>
MARK: Okay.
Break begins at 8:02pm
During the break, we talked about sound in our daily life. Mark explained a little bit about the Rama civilization and the Vedic culture. He mentioned that these two civilizations were the result of a creation experiment developed by certain essences, including Kris himself. Thousands of years ago, they created the seeds as an expression of their mutli-dimensional personality structures. (You can find more information on the Rama and Vedic cultures, where Kris talks about it himself at the following link at the Kris Chronicles website: http://www.krischronicles.com/transcripts2/ramacivilization-futuretech-may24-04.html).
We also talked about how we use sounds today as therapy and the fact that sounds can even help increase our ability to learn as well as how we use vibrations not only for sound but for many other very vital things in society such as in the creation of technology and computers, for example.
Jim also talked about his involvement in energetic medicine. He is currently working with a bio-feedback device called the QXCI (Quantum Xrroid Consciousness Interface) that uses electromagnetic frequency to help people heal (for more information on this, go to www.quantum-life.com). This, he believes, will be the ‘new’ method of healing, replacing the medical industry as we know it today (ie using surgical instruments like scalpels, chemotherapy, radiation, etc.). A doctor by the name of Bill Nelson, who now lives in Hungary, created it.
Break ends at 8:11pm
KRIS: Now, your doctor friend (referring to Dr. Nelson) has focuses in a probable development where he has intuitive exchanges and thus, is able to expand upon his own original ideas and in the exchanges, often occurring in dream states, which, by the way, do not necessarily only happen when you are asleep, this individual was able to gather data from his other focus where such or similar experimentations are occurring but in a different capacity where he is able then to bring back the information he needs and adapt his instrument in this his reality. The use of various sound scales and vibrations in instruments for health and maintenance and medicinal rebalancing can, and will, have profound effects but it will not be without a valiant battle for indeed many surgeons are far too accustomed to wielding a scalpel and cut you up as opposed to simply vibrate an instrument and not cut you up. Do you understand?
PAUL H.: Yes.
KRIS: However, such machinery can be developed that would reset broken bone structures, ligaments that or torn or damaged and even heal nerve tissue that has been damaged and repair it. These potentials lie within the use of specific sound ranges in a similar manner that you can adjust an instrument to produce a specific frequency to neutralize pathogens within the bloodstream. You can create specific instruments to repair damaged tissue. We are anticipating that within the next 15 years, 20 at the most, such instruments will start appearing for human use if, and the word is IF, there are sufficient individuals upon your plane to pick up the momentum, take the ball and run with it. Does that make sense to you?
PAUL H.: Jim?
JIM: Oh, yeah. <laughter> There’s lots of individuals that are falling into this with this particular device. A dog recently had tumors disappearing with frequency therapy. (To Kris) This would fall into the category your talking about?
KRIS: Indeed. Abnormal bodily growths can be reversed. As we have described, bones may be repaired and so on and so forth. This would affect the individual’s own healing potential to reverberate a similar frequency, even if unconsciously, from within their bodies and therefore, reverse damaged, bodily conditions. Do you follow?
JIM: Yes, I do! I see that happen. Thank you.
KRIS: You are most welcome.
MARK: So Star Trek. <chuckle>
JIM: Beam me up, Scottie. <more laughter>
PAUL H.: (To Jim) What is the name of your machine, Jim?
JIM: The Quantum Xrroid Conscious Interface device.
MARK: It’s about to be called the Tricorder in the future. <giggles>
JIM: It very well could be, yes. Dr. McCoy was just a country doctor. <laughter>
KRIS: As long as he does not try to repair William Shatner’s toupee. <huge laughter>
JIM: But there is hope for my balding though, right? <more laughter>
PAUL H.: Always. <chuckle>
KRIS: The idea that we are trying to present is that sound in your reality and experience is so vitally important because your entire reality structure is founded upon the concept embedded within those units of consciousness that appear within the bounds of your experience. Once these units blink in another space, then their experience is different. But you would not notice those. You would notice the ones where you focus the wide range of your consciousness in an unconsciousness manner, which keeps you manifest in an apparently solid form though you are none of this. You may think you are solid but you are not.
You rely upon your senses to give you that kind of information. That is a very nice thing because it allows you to experience unique ranges of living conditions that are the manifestations of those beliefs you hold to. So, you are yourselves the perfect resonator of those qualities that you reverberate with. This is why in so many cultures and the religious bodies that have emerged from various cultures, sounds are always so vitally important such as through meditations or prayers, mantras, singing and so on and so forth because there is still a deep, unconscious link to such blueprints and do keep in mind that there are different kinds of sounds. There are the ones you detect with your human ear and then there are the types of sounds that exist within your minds that may even appear within your dreams. These may not be so easily interpreted because you may have so little knowledge of these deeply embedded concepts within your own reality. There is a tone, very specific tone, to everything in your reality because everything literally vibrates.
Different kinds of sounds were used in the ancient culture, and here we’re speaking of very ancient, including the Vedic culture, even to manifest objects not necessarily only to move stones. Certain constructed devices were also used. There are other kinds of sounds that may be considered as inner mantras that produce a specific frequency that opens specific gateways in physical reality that permit the physical manifestation of then solid objects, including entire cities themselves. So also are other weapons with a greater destructive power some of which are described in some of the Vedas. Sounds configured at those levels cannot be produced in your present cultures because there is literally no discipline available yet that may allow an individual to work with, and directly through, the source or essence that helps produce those mental or inner sound mantras. Presently, if such capabilities were apparent in your realities, considering the greed of many of your world governments, there would be untold devastation. So, some things do not appear at this time in your reality simply because the children would not know how to handle the truth given them and may hurt themselves in the process. Do you follow?
MARK: Uh-huh (yes).
KRIS: The study of sound in its various expressions, physical and nonphysical, can produce some highly interesting results. We encourage you, Jim, to continue and pursue your avenue of experimentation for it will certainly prove fruitful.
JIM: Thank you. I definitely will.
KRIS: Do you have questions?
PAUL: Yeah, this is Paul. I have a question about the Vedic culture. Is that related to the culture, which was described in the Over Soul Seven novels by Jane and described a culture that used sound and tiles to carry sound information?
KRIS: It was given a brief description though Rubert, and thus Jane, and Jane specifically, had very little knowledge of that kind of culture and its extensive manifestation though she did try to give as best as possible, a description, at least of a small slice of that culture. Does that make sense?
PAUL: Yes, it does.
GAIL: This is Gail. I have a question. When you hear the tone that you get in your ear: sometimes you just hear this real high-pitched sound. Is that a communication from areas of consciousness such as the clusters?
KRIS: You might physically interpreting different kinds of sounds that the eardrum is not attuned to, so it creates a pitch that is unable to specifically be interpreted by your brain. Do you understand?
GAIL: Explain more, please.
KRIS: There are very many different kinds of sounds that pervade your environment that the human ear is not attuned to. Some of these sounds produce effects. The vibration of these sounds, when they reach your human eardrum and the inner ear, produce an effect that the human brain does not yet know how to interpret because it does not have the database of knowledge necessary at this point in time. You can, for instance, be picking up the presence of a personality or an essence or even a movement of consciousness through your own structure. You have no knowledge of how to interpret it at this time. Does that make sense to you?
GAIL: Yes.
ALEX: Hi, this is Alex. To Gail’s question, how can we increase our database so that we can learn how to interpret that?
KRIS: By learning to trust and expand your awareness such as playing with the ideas that we presented here this evening, will definitely stretch the boundaries of your imagination and consciousness, thus bringing to you more experiences that can then be eventually interpreted within your expression. Do you understand?
ALEX: Yes.
KRIS: Indeed. If you notice every time you discover a new idea or a new concept, obviously you focus upon its inherent potentials within you and therefore, draw to you, many correlations that you did not notice before because your attention was focused elsewhere but you did not notice it. In a similar manner, you may hurt your small finger in a way that obviously would not cause much pain but for some reason because you are focusing upon the cut on your small finger, it so happens that that is when you bump it, every single time whereas before, without the cut, there was no bumping of the small finger. <chuckle> Do you understand the analogy?
ALEX: Oh yeah, very true!
KRIS: Does that make sense?
ALEX: It does.
KRIS: Indeed. So, the more you draw the ideas to you, the more the ideas and their products can come to you because you are holding that manifestation in your mind and therefore, opening your awareness and your consciousness to a greater variety of experiences, more so than you thought possible before. Do you have other questions or do you wish a small break?
PAUL H.: I have a quick question. This is Paul H.
KRIS: (Humorously and expressively) We know you are going to lie because your question will not be quick! <laughter>
PAUL H.: Would you prefer to take a break first?
KRIS: Indeed not. We are jousting with you. <laughter>
PAUL H.: I can do whatever. It’s a two-part question. First, are there any general comments you would wish to make about the Sumari singing phenomena as we’ve seen in Jane Roberts and the second part is why is it so rare, we’re finding people who do channeling of some kind and energy exchange of some kind is relatively easy to find but I have not found anyone, even with this Internet access and new age communities and what not, I have not come across yet another single, authentic Sumari singing phenomenon? So, your comments would be appreciated.
KRIS: Indeed, now that you have asked your question, we will take a break! <huge laughter>
Break begins at 8:33pm
During this break we talked about the momentum building (around this sounds healing device) and how we all hope that it can keep building so that this does, indeed, become the ‘new’ medicine. After all, who wants to be cut open when you can heal broken bones and remove tumors with vibrational frequency?
Jim mentioned that there’s already a hospital in Missouri that has built a whole new wing for this and are working it into the medical community (YEAH!). He mentioned that in Missouri people heal 75% faster and 85% less re-occurrence of their disease and that this has been written up in the medical journal. It’s used by such practitioners as Homeopaths, Naturopaths, Doctors, Dentists, Herbalists, Chiropractors, among others. Jim mentioned that he had a dog (now passed) who had lymphoma with six golf ball sized tumors and after using this device along with therapy, the tumors dissolved with no trace of them whatsoever.
Break ends at 8:49pm
KRIS: Now, we trust that you have all had a marvelous discussion. We also hope that this small presentation will foster much exploration on your part. As to your question Janake (referring to Paul H.’s question before break), the recreation of the Sumari singing is not an easily resolved one because though there are many individuals who would love to proclaim they are Sumari, many of them are unable to actually tap into the essence of their convictions in that area. So, to them it is a pretty concept but when it may come down to the expression of the tone of the Sumari then, that is another question and fear kicks in and shuts down the process. Do you understand?
PAUL H.: Absolutely.
KRIS: On the other hand, you might not find many Sumafi that would voice the tone in that manner. At least not any self respecting Sumafi may do that. They have a different intent in tone entirely. But then again, there is an old adage that says never say never! So, when there is another Sumari that lets conventions go by and drinks from the fountain of its own essence then such a thing may occur. It will of course be slightly different for each individual is unique. Do you follow?
PAUL H.: Just a comment. Yes, I do. It’s like when a jazz soloist, when they take their solos, they show their own unique individuality. So, what you’re saying is when the conditions became right that another Sumari singing phenomenon manifests, it would be likewise, unique!
KRIS: Indeed. Quite so. This, again reflects the deep appreciation that all life forms in this plane and planet have for the concepts embedded within sounds structures. Even your physical form, with all of its organs and vital systems and constitutions are constructed so.
Out of the amalgamation, the unification of various inner sounds, so that the body can express its own tone, a unique tone; the greater symphony of creation! So, you have a unique experiment of consciousness within the TAAJ and there are other clusters, for instance, that have completely different experiences, some based on color, for example. Thus, each individual that manifests in this reality does so with the ability, the power to utilize the tones and the vibrations of these soundlets, weave them together into a great tapestry that they then call their lives, their societies, their cultures, their nations, their civilizations and their Universe, thus, creating a sound of consciousness unlike any other, that sound contains the voices of each entity within it. Such symphonies were what the masters like Beethoven, Mozart and others tried to express through their unique compositions. This is what you each try to express through the symphonies and compositions of your own lives with each note as well as the spaces in between, which are as important.
Thus, you sing the song of your soul in a most melodious manner. When you forget how to listen to the song of your soul then we express it for you in our type of melodious voice so that you can remember. Then, you can live again through the validity of your own unique expressions and experiences. With that, we will then say our good evenings. We will send you all kinds of ‘sound’ blessings and may you indeed enjoy singing in or out of the rain. A good evening to you all!
