Roll call: Serge (Joseph), Mark (Philip), Myrna (Sharaleene), John (Sohars), Lida (Miriam), Alice (Miluumea).

[Mark’s Notes: While we were waiting for Kris to drop in John was discussing his idea of putting a book together based upon the Sisters of Consciousness, the Civilization of Self and that Inner Village of aspects of self.]

(Session begins at 7:47)

KRIS: Indeed, we thank you for your consideration and we trust that not only has the day been beautiful but that it has been a reflection of your own state of mind.

(Speaking to John) Now as to your lovely idea of an inner village, you are quite welcome to pursue its development and see how that village expands and grows into a civilization. We believe you are more than up to such a challenge. Correct?

JOHN: Absolutely!

KRIS: And to reassure you and Alice, The Sisters are not being forgotten. They are simply waiting in the background, listening to the soft sound of your song so they can chime in. So you need not worry.

(Pause)

(Speaking to Mark) During the very recent walk, we spoke of several things, one of which has been posted as a teaser. Do you recall Philip? Do you recall what you posted there?

MARK: The Meta Wheel of Life, where the individual is at the center of the wheel.

KRIS: Indeed. What would that represent to you?

MARK: That I’m at the center of ALL things. I am the wheel, not only the center of the wheel but the wheel itself.

KRIS: And what does a wheel imply?

MARK: Action. Movement. Motion. Travel.

KRIS: Indeed, action, movement, which ultimately translates into transformation. It represents a certain type of inertia and momentum. That is only very pertinent to consciousness. As much as you all like to believe that it is YOU who walks from Point A to Point B and then Point B to Point C and so on and so forth, that you are expending energy to make your body move along those points.

You may not necessarily perceive that again your physical movements are an interpretation through your physical senses of another type of movement, another type of inertia and momentum, these specifically relating to the interesting illusion that it is not specifically YOU that is moving as much as an indescribable amount of units of consciousness, literally indescribable, are providing the SENSE of inertia, whilst in reality nothing is moving but everything is being transformed. Does that make a few of your synapses quiver?

MYRNA: (Laughs) A lot!

JOHN: It reminds me what you were saying to Norm about the electrons appearing here and then appearing there and you said, well, really it's the same electrons. We just perceive them in a different place.

KRIS: Indeed.

MARK: Has anybody seen the modern version of The Time Machine? Excellent movie, but The Time Machine sits still and I picture this: the transformations go on around it as it goes through time. It starts out with his home and then it changes and it tears down (everything around him)....

JOHN: The graphic is great.

MARK: Such a wonderful graphic.

JOHN: Sort of animation.

KRIS: Because in that dream the notion is that there is inertia and momentum through space-time, much in the same way but on a smaller scale and a more restricted bandwidth of perception for yourselves, whilst everything is being transformed around you to accommodate the perception. This is done without your specific conscious knowledge and it occurs completely invisible in your existence. Were it never mentioned, were this idea never presented, it might never cross your minds to perceive there is a different kind of inertia and momentum behind your actions.

Furthermore, there are actions, there is activity occurring all around you all the time even when you think nothing is happening between one moment and the next because there seems to be nothing between whatever object is in front of you or beside you or near you, but there is always activity. And there is in fact activity of such a profound nature that (speaking to Myrna) your intuitive response last Monday concerning the body....Do you remember when we spoke about the body? You immediately said, 'We want to know more about this.' Do you remember that?

MYRNA: I don't remember the specifics. I remember the conversation.

KRIS: Indeed, we were speaking about in so many words the songs that are playing, the symphonies within the body, the energy within the body, and it seemed to almost overwhelm some when we brought this into a much larger scale, but we wish to go back there this evening.

MYRNA: I could feel that coming up again.

KRIS: Indeed and you might discover some of the reasons for the acceleration within.

Now, your whole life long and your entire length of life is based on one specific action, a most profound action without which you would not have your being. And it has its own inertia and momentum. That is your breath. From the moment you took your first breath your being was infused with life and life force, and of course you depend on that breath for the duration of your existence.

Unfortunately, in your modern world it is often only necessary to recognize it when you are in deep physical, emotional and psychological distress and you realize there is a distinct possibility that you might not be breathing even moments from now. Do you follow?

(Yes)

Then you may start paying attention to your breath. But your breath is something much more important even than keeping alive because it is only the physical appearance. Some of the older civilizations upon your planet have a completely different perspective of breath and breathing. Eventually the Western world will incorporate that into its understanding, but in the meantime small pockets of individuals like yourselves and others may begin the Breathing Revolution.

Even when the yogis came to your Western world starting with the Chicago World's Fair and the first yogi to come to American introduced yoga this was a revolution in a manner of speaking. Others had traveled through Europe, but not extensively. Now it is quite common to see yoga classes on almost every continent everywhere. Different martial arts also incorporate very specific breathing, and your own existence obviously cannot do without it.

We bring this about merely to point out that even though your breathing pattern is different from yours, from yours, yours, and yours, still whether you are five, six, twenty, a hundred, a thousand, ten thousand, a hundred thousand individuals in one place, your breathing is rhythmic. It acquires a sense of togetherness. And as we suggested a few moments ago, your breathing is part of another larger process altogether.

In order to perceive that we aim to take you back to your body, not only as an expression of a cosmic song but that your physical form IS the Universe. And for that we need to ask you to come along for another meditation, if you are so willing.

(General assent)

Now, this only requires that you listen and focus in on the sound of our voice and begin paying attention to all of the various places in your body where you sense some tension, some stress, and allow the muscles in whatever part of the body are affected to release whatever amounts of stress are recognized.

(Pause)

And as you release the stresses, notice your breathing. Notice if you are taking short, shallow breaths, upper chest breaths or if you are taking deeper abdominal breaths or something in between and as you continue listening to the sound of our voice, you may also pay attention to the sound of your own breathing when you inhale and when you exhale. And as you continue to listen to the sound of our voice you can simultaneously concentrate on the sound of your breathing, each inhalation and each exhalation.

(Pause)

And notice the wavelike breathing. And as you continue to listen to the sound of our voice and your breathing, allow yourself and allow your body to enter a deep relaxation similar to when you are sleeping, totally relaxed and yet clearly mentally awake and focused.

(Pause)

And now you imagine in this dreamlike zone that though you are accustomed to your everyday ordinary body with its cellular structure and other membranes and tissues and veins and bones and liquids, that is only the interpretation of a much larger body of yours. This other body is found inside your body of flesh and it is much bigger, so big that it cannot be seen right away until you notice. Then in your arms and in your legs, in your chest, in your abdomen, in your head you have vast spaces before you, such a vast space populated with planets.

Inside of your body there are entire solar systems, and just as under regular interpretation your body is IN a solar system, you can also understand that IN your body there are solar systems with any number of planets orbiting a central sun. Your arms and legs, your chest, your abdomen, your head, your feet, your toes, your fingertips, your hair, your ears may each have many solar systems, each found within their own sectors of galaxies such as the Milky Way and others, each traveling alongside other galaxies that each contain many solar systems, and that these reach vast expanses of space that correspond all to a cosmic breath, a breathing so vast as to be nearly incomprehensive but definitely felt, resonated with through your own breath, as all of these vast systems including comets, other objects in the sky, moons, suns, each sustained by the power of a large cosmic breath that continues to expand for eons of time to such a vast extent of time that eons are almost insignificant.

These vast expanses of time breathe what we would call cronons, and each one breath is many cronons. The Universe keeps on its journey and it makes up the components of your hearts, legs, toes, fingers, hair, eyes, chest, abdomen, head, even makes up the molecules of your brain, the cells in your brain. So large and so vast is the body of your resources and you standing within this because it is within you can feel its energy pulsations, its breath. Each time you take a breath the Universe expands and contracts. Many Universes together expand and contract.

And yet there is a mysterious beautiful paradox in that though there are Universes covering incomprehensible distances and times and space, your body sitting here in this room only appears to be separate from that unity of Universes. And allow yourselves to feel not only the paradox but the mysterious beauty of it. Feel the energy as it sustains, supports, keeps the planets and the galaxies where they are, the same energy that simultaneously supports, nurtures and sustains your beautiful lives in this moment of time and space.

And as much as you might like to stay in that space, we suggest now that you begin reacquainting yourselves with the body you thought you knew. Pay attention again to your breathing and take deep breaths and notice how your body comes out of this dreamlike state or zone and how you can wiggle your fingers and toes. And on the count of three you will open your eyes fully refreshed and focused in this room. One. Take another deep audible breath. Feel it rush in and rush out of you. Two. Move shoulders and neck and knees and feet. And Three. Come back to the room and clap your hands. (Everyone claps.)

Now do you wish a small break?

(General assent)

(Break begins at 8:20.)

Mark discussed further his understanding that in creating our own reality, we never actually go anywhere. We exist in all places at all times because there is no time. If two people go out to the street corner and one turns left and the other turns right, they each immediately begin to transform the environment to accommodate where each one thinks they are going, changing atmospheres.

John said that his understanding is not so much that we create our own reality as much as that we ARE our own reality.

Alice brought up the idea that everyone lives within their own bubble of existence and Mark came back with the fact that everyone is creating their own reality around themself and that when they are 'moving', they are actually transforming everything within their own so-called bubble.

John posited that what he finds interesting is not that people disagree but that they AGREE and that there must be some kind of vast blueprints that entities agree to prior to forming their bubbles since their bubbles, their realities, will seem to correspond or have a congruency, i.e. they will appear to agree upon and create a very similar reality.

Mark said that while it may APPEAR that our environments are similar, in reality they may be very different even within groups of people who seem to agree upon what that environment actually encompasses.

[Mark’s Notes: at this point I got up to quickly run to the bathroom. I was hoping to keep that out of the transcript but unfortunately it has become an integral part of the conversation. How embarrassing.]

Serge remarked that Kris has said that there is a grid of perception. That is where the blueprints that we use exist. And John said that his understanding is that we all agree to these blueprints of a certain kind of physics before we 'start playing here.' And he wondered if that means that a person cannot really do anything in a public way until the mass consciousness catches up to make it possible. Otherwise you perceive that there are those who make it impossible and so you basically opt out of the game. However, he also believes that one can probably 'bend the rules' in certain ways.

Lida commented that there are certain parameters within which we must move such as that we will not be able to re-grow an arm if we lose one because that is part of the blueprint plan of this dimension.

John remarked that although it seems reasonable, nobody seems to have told the salamanders that one because they in fact ARE able to re-grow limbs and tails.

[Mark’s Notes: At this point I had just re-entered the room and the discussion.]

Mark explained that every personality, whether physical or essence exists in ALL places, so therefore we exist in the SAME place. We never move or travel anywhere. We just change psychological atmospheres by TRANSFORMING the units of consciousness that make up our physical bodies and the environment that they exist in. Therefore even though Mark left the room to go to the bathroom, everyone else TRANSFORMED the units of consciousness to watch him leave, exclude him from the conversation and then watch him re-enter the room. Mark then went on to explain that Mark perceives the reality that he does by accessing the units of consciousness using the ‘Grid of Perception’. Everyone else does the same thing.

Myrna said that one thing that still confuses her is that say Mark is another probability of her that is still her, to which Mark responded that he reflects to her and she creates what she perceives as Mark into her reality and he creates what he perceives as her in HIS reality. She said that she perceives each other person as 'the nations of Myrna' but John had a slightly different opinion.

He remarked that he feels that just as Myrna is Myrna, so also John is John, at that level, and at essence level it's still Sharaleene and Sohars and that you have to get up to Quadrant Four before it's all one being.

Myrna remarked that this concept that in looking at others she is looking at other probable selves of her own self, this is creating a change within her.

It was offered that in others being a reflection of us, what they are doing is reflecting to us aspects of ourself that we are then able to look at more closely.

Myrna referenced the Triple ‘A’ process and said she would like to add another A at the beginning. APPRECIATE. She mentioned that sometimes she will see a person in front of her and she will immediately judge them and that she is beginning to change that behavior into immediately appreciating them instead. Mark reminded everyone that in order for that person to even BE in her reality, there had to be an agreement to rendezvous in the first place, that she had to agree to allow that person into her space, so to speak. Myrna said that the concept of the 'nations of Myrna' is really taking on new meaning for her and Mark commented that he had really come to a deep feeling of the fact that everything, even the environment, IS him and he picked up again the concept that as we appear to move through life, we actually transform everything around us, the energy around us, in our own way.

(Session resumes at 8:30.)

KRIS: Now continuing that line of discussion, it can easily be said that the IDEA of launching that action, that psychic inertia and the momentum that follows reorganizes all of the tightly meshed units of consciousness that bind together to create your APPARENT visually perceived, sensually perceived world. It simply matches to the idea. The energy is in the idea.

MYRNA: The idea of going to the bathroom.

KRIS: Indeed.

MYRNA: Matches. What happens is that it's all set up so that I end up at the bathroom but it's the idea that created the journey.

KRIS: The idea has launched all of reality. Thus your physical world is merely the result of idea constructions. The constructions exist all in the thoughts as we defined them last Monday. Now that includes your sets of convictions, attitudes, and expectations. The IDEAS launch physical reality. The idea of Myrna created Myrna. So your ideas are not insignificant. Your ideas are to be appreciated.

MYRNA: (Laughs) Yes. Are we going to add an ‘A’?

KRIS: That can actually stand alone.

MYRNA: It's so huge.

KRIS: It is a satori all on its own. You can say it is the Satori of Appreciation. When you appreciate the idea self you automatically appreciate the self that results from the idea and you cannot avoid appreciating others and they in turn become INFECTED with a potential epidemic of appreciation because the power is in the idea. It is the idea of a civilization that creates the civilization. Everything exists then at that layer. And you can easily understand from such a small discussion right now that without an idea of yourself you would not be. That is what being is.

It is much more than simply having a dream. And your ideas literally create untold worlds. You have much to be appreciative of because you are wonderful selves, so wonderful that even Tigger would appreciate you all, whether you have tails or not.

MYRNA: Can we start with the body?

KRIS: And you have perhaps caught on that the body is an expression of an idea, so how can anybody get frustrated, angry, resentful of an idea? All the more reason to appreciate.

JOHN: There's another meaning to the word 'appreciate' that I just wanted to throw in.

KRIS: Indeed

JOHN: In the financial world to appreciate means to get bigger, so I think there's something kind of cute there. As you appreciate, you get bigger. And remember how vast we are.

KRIS: Indeed then, when it is said that you sweep your hand through air, you literally are sweeping your hand through time and space in the complete sense of the word. Thus galaxies are moved as are cells, muscle tissue, bone, blood, and NONE of that truly understands what they are made up of, and sometimes you do not understand what YOU are made up of. Does that make sense?

MYRNA: What I got from tonight is that I’m an idea. I’m units of consciousness that come together to serve an idea. I don't know who had the idea anymore.

MARK: YOU did.

MYRNA: (Laughs) I know, but I don't know what I am anymore. I’m a wave but I don’t know how that wave got differentiated.

MARK: See, that's what we do as essence. We try to understand th=what we are. We try to understand ourself and we do that through ideas and thoughts, and so I’m trying to express myself. I’m trying to understand who and what I am and so I am creating everything that I can think of, of what I am.

KRIS: Now there are ancient beings and many other older civilizations also had contemplated the philosophy of what we believe to have been called 'celestial harmonies.' Literally sounds, music of the spheres and though this is an interpretation, it is still extremely valid because they had captured the notion that there was still action within the apparent vacuum of space. And you may even experiment with this in your own free time to return to tonight's meditation and as you listen to the sound of your own breath, listen to the sounds, even the music that is made when solar systems and galaxies displace themselves, and you will notice that together it creates beautiful harmonies.

And as you continue that in any way, shape or form, keep remembering that whether you are a singular individual or that you are an entire civilization, your collective breathing has its own rhythm well beyond the confines of your own singular bodily expression, well beyond the confines of anything on the earth that expands itself throughout time and space as if the Universe and all the universes, all universes everywhere were breathing as you breath, that your sometimes considered insignificant life and breath is part of that Meta Wheel of Life. Do you follow?

(Yes)

Does that help?

MYRNA: Yes it does. Hugely. Hugely! I am the result of an idea and I get frustrated by some aspect of myself. An idea creates that aspect of myself, and you said why get frustrated, judge that aspect? I’m confused there because if I am frustrated, I don't know what to do with the frustration, in other words. Now that I know that I’m created from an idea, I don't know what to do when I get frustrated.

MARK: Remember that.

KRIS: Now, we do wish this to be understood. When you say you are created from an idea you are not the result of somebody else's idea or something else's idea.

MYRNA: I understand that.

KRIS: But there is the idea, the entire concept of yourself, and you are an integral part of that. Do you follow?

MYRNA: Yes

KRIS: Indeed. Now, why hold a certain aspect of Myrna frustrate Myrna?

MYRNA: Because I can't get into my clothes anymore. (Laughter)

JOHN: So we're stalled on the aspect, eh?

MYRNA: I’m just using that as an example. Kris, some of these ideas are knocking up against each other and that's okay as I learn more and more and more and now I can't imagine to know anything anymore and that's fine. But every now and again something like this pops up. So now what do I do, how do I live with an aspect of myself I remember that I’ve created.

MARK: You are so much, much more than what you are perceiving as your physical body.

KRIS: Now, why would you have created an aspect that you get frustrated about? We are back to the ‘Why’ question.

MYRNA: Okay

KRIS: Do you understand?

MYRNA: Yeah I do. Sure.

(Pause)

KRIS: What have you concluded? Think larger. You are thinking small.

MYRNA: There is something in whatever I have created that I have required myself to be for its learning.

KRIS: Now, one small perception is that Myrna likes to be intense. You like intensity.

MYRNA: Yeah! (Laughter)

KRIS: You like to create a specific tension between various states. Does that make sense?

(Myrna nods)

And in the tension you find a struggle which creates a sense of drama and that challenge you actually do cherish even if it is frustrating to you because you unconsciously understand that you use this to give yourself a kick in the pants. Does that make some sense? It is a process that you have engaged. Many other people create similar situations. And yours and theirs are still unique, but you have your own philosophy and psychology. When we present such things as Triple ‘A’ process, when you also understand that there is the Satori of Appreciation, when you use such a thing as the ‘Why’ process, we usually share these things to help you and everyone else understand THEIR psychology, not ours.

Simply put, no one may be able to understand our psychology. Your psychologists do not have references. Your psychologists may end up being visited by shrinks were they to try. However, YOUR psychology is important for YOU to recognize. Simply trying to assimilate our psychology and impose it over yours would present problems. They will not match because we cannot give you the whole ball of wax all at once, but we hopefully give you enough for you to recognize that your psychology either is fine as it is or you might find a place where you may be able to tinker with the engine and get more out of it. That is the intent behind our presentation, that and the occasional kick in the pants from outside.

All in all always we speak appreciation for the wonderful and lovely selves that you are whether you are listening here, whether you are transcribing, all are deeply appreciated, and our appreciation of your lovely nature can be recognized by your own selves when the idea hits you. And again the process is very similar. Allow the idea of change, of transformation to literally create the new Myrna. Does that make any sense?

MYRNA: I’m getting it. I’m getting it. What did you just say?'

KRIS: You are an idea, a concept. You feel some frustration because there is a part of that concept you don't yet....

MYRNA: I get tonight what I can do about that.

KRIS: Now, you had some ideas tonight. You had some light bulbs go on. In the same way a new light bulb, a new idea can take hold within you, a new idea that will conceive a new Myrna that may have less frustration because she has appreciated that much more of yourself. Does that make sense?

MYRNA: That much more of....?

KRIS: Yourself. And you are constantly filled, all of you, with ideas. When your physical forms can no longer accommodate the transformations of energies from all of your ideas you return the forms to the earth and you invent new ones, constantly, consistently like clockwork because that is your nature, to create. And you do so through the processes of ideas. Concepts. Does that make some sense?

(Yes)

Do not think that because you are getting older somehow or other ideas may start falling off to the wayside or become less nourishing or adventurous or interesting. On the contrary, keep that floodgate open. Keep that energy flowing. You are only as old as your ideas and we mean that most concretely.

Now what is the time?

MARK: 8:50

KRIS: Indeed then. Have an idea of a break.

(Break begins at 8:50.)

Mark explained further the concept that everyone is in all places at once. That means that we are all in the SAME place at once since there is actually no 'place.' And while a few of us may agree to create a certain place where we appear to be gathered together such as a certain room, there are other people in other places of the world using those exact same units of consciousness to create their environment in their own unique way.

If Mark gets up and 'moves' in reality he is transforming the units of consciousness that are there into an appropriate manifestation of what he is thinking about.

John picked up something Kris said to Myrna, that if she is frustrated with an aspect, an idea of herself, all she has to do is to have a new idea of herself that isn't frustrating, and she doesn't have to DO anything. He wondered if an idea and an intention are the same thing. All she has to do is to have an idea of a Myrna that isn't frustrating and allow that idea to transform the units of consciousness into THAT Myrna.

Myrna felt as if she is comprehending this at a deeper level than ever before because she's finally understanding how it all actually works, transforming the units of consciousness.

Mark went further by mentioning that Philip is not only using the same units of consciousness to create 'this' Mark but also all of the probable and possible Marks in addition to all of the other expressions of Mark. Each one is a perception, an idea about itself and its views about itself and is therefore using those same units of consciousness differently.

At that point Myrna suggested that calling upon the Sisters is really calling upon self, upon one's own ideas of self. Put another way, the Sisters are ideas.

There was general agreement that 'this stuff really works.'

John mentioned that Kris has used this terminology before, that is a Universe of idea constructs and there are other kinds of Universes of other kinds of idea constructs.

(Kris returns at 8:56.)

KRIS: Due to the specific boundaries of the reality that you create for yourself, it may be difficult to conceive of other types of realities where idea construction takes other forms and other expressions and they do. Just like it might be difficult to imagine what one facet of the diamond looks like behind the diamond when you are looking at its face. But it is possible to conceive if only slightly because of the facet of the diamond that you are looking at, you are can easily summarize that the facet at the back would be somewhat similar. Once you are in one of those other realities then it may not look that amazing at the onset until you delve deeper into it.

For instance, take dream realities. The whole concept of the dream dimension is an extension of an idea construction, a different type of idea construction, a different species of idea construction, ideas where, for instance, the laws of physics are different, sometimes completely different where you are able to perform actions not possible within your regular official line of consciousness idea construction. These are simple small examples.

The concept of essence itself is another type of idea relatable to concepts, again completely different. You are all very accustomed to thinking that essence is a thing like a circuit board, but the circuit board is not, for instance, the internet. It is only part of the computer, an instrument to access the Internet, but it is not the whole. Does that make some sense?

(Yes)

So it allows you to interact with and perceive the Internet.

JOHN: So essence allows us to interact with and perceive ‘All That Is.’

KRIS: Indeed.

JOHN: But at that level it isn't ‘All That Is.’

KRIS: It is a representation, another expression, because the concepts at those layers are multidimensional. That is why we have brought out something that people have still not quite grokked yet when we presented the idea that your essence is actually one of your many bodies. You have many essences, each again a representation of something else.

JOHN: So I get the feeling that at a certain level it's sort of homologous. I may have made that word up. (John is using his hands as visuals as he speaks) But down here and then here we have essence. Here we have idea construction as we know it. Here we have idea construction using multidimensional ideas and essence is one of many expressions of that. And then it really seems to imply, doesn't it, that there's......

KRIS: A pyramid…

JOHN: Above the head!

KRIS: Indeed. Now it is far more holon-centric than you can imagine. The usual typical interpretation of a pyramid with a large base and a small summit is somewhat misleading. If you can imagine a sphere composed of nothing but pyramids, a geodesic dome, actually a geodesic sphere and it is only part of a larger system of geodesic spheres. There are always larger concepts. And yet they are nested within each other, not separate.

JOHN: I just have a quick reference question. Jane often talked about a pyramid above her.

KRIS: Indeed.

JOHN: And I’ve heard other people talk about the pyramid gestalt idea. I have always in my mind seen that pyramid resting on its point, the point being above Jane's head and going up bigger, bigger, bigger. And I’m wondering which way that pyramid was pointed.

KRIS: If you look carefully at the construction of the pyramid, does the point rest above or below or at the sides?

JOHN: It's homologous. Each part is its own solid thing.

LIDA: Depending on how you look at it.

JOHN: Well, how ARE we looking at it? (Laughter)

MARK: Any way you want!

KRIS: Now. Why not try this sometime during the week. When you enter this meditation we shared this evening, imagine that you also have above your own heads a pyramid like construction and see what kind of adventures unfold either by sensing it, looking at it, entering it, enter its energy, however you with to determine, but allow yourself some fun, each and every one of you and see what comes out of the fun.

And indeed the idea, the intent, is parallel. They may only have slight qualities that differentiate their notions but you can still play with that idea of ideas. All in all we suggest that you have as much fun as you possibly can.

And with that we will return you to your own humble, wonderful, immortal selves.

ALL: Thank you Kris.

(Session ends at 9:05.)

John said that his perception was that Kris was saying that intent and idea are a little different, as if an intent is an idea that you have engaged.

(Kris, who did not actually leave, responds.)

KRIS: The differentiation is that, for the most part......First of all, we never left.

MARK: I noticed! (Everyone cracks up!)

KRIS: Intent involves a specific thrust of will. It is a different kind of inertia and it can be used most constructively in your lives as long as you remain congruent to your idea.

JOHN: Your values.

KRIS: Indeed. No question.

MYRNA: I’m sorry; you're suggesting that intent has the momentum for the idea to become so. Is that what you're saying?

KRIS: You may have an idea and you will follow through with your intent. The intent involves will. And you can remain true to that idea by your intent remaining congruent. We hope that we are grammatically correct. (Laughter) And you are all intentional.

Now we take our leave of your lovely intentions.

(Session ends at 9:08.)

Further discussion after the session….

Lida asked what happens to ideas that are not given intent and Mark suggested that they continue on. John said that they have a life of their own.

Serge also remarked that he believes they turn up on other probabilities, ones that we don't pursue here in this reality, but they have to go somewhere.

Mark commented that nothing ever dies and referred to the ritual at the Heal the Heart conference where nothing is ever wasted but is returned to the Universe so that others can use it.

Lida explained that what she meant was that we have many ideas but only some are acted upon and so what happens to the others.

Serge again said that those ideas that are not actualized here WILL be actualized in another probability where that choice is more in line with the intent in that reality, with the intent of THAT probable self.

Mark brought up the concept that movies, television, films are all other probabilities, consciousness expressing in other ways and forms. Ideas presented and explored.

It was discussed how we attract ideas or people or circumstances according to our own individual intent, those that resonate with us.

Mark stated that he thinks this is one of the best sessions that Kris has ever presented, at least for himself, that it really tied up a lot of things for him.

Myrna stated that Mark going into the bathroom really brought it home to her that we are ideas and that our reality is created by ideas.

At this point there was further discussion about the concept of the pyramid and Mark mentioned that he has always seen it as a sort of Family Tree with ‘All That Is’ and then essence which are expressed through other essence bodies and physical forms as well, etc. ‘All That Is’ being the point of the pyramid. But he also sees it as the reverse as well, because we as ‘Expressions of Essence’ have multiple source essences.

John mentioned the concept of the bandwidth of perception, the idea of essences and focuses, that's the bandwidth we are beginning to be aware of. But guess what.
There was further discussion about there being only one unit of consciousness and that we are all one. Mark asked how does one keep track, so to speak, of THIS self that we are creating. That is the grid of perception, what you've got toggled on and off, and every life form has different toggles, so to speak. Animals, human beings, psychic people, etc., can all tune into different areas of the grid.

John and Serge both suggested that the key to our learning about ourselves is to forget everything we have ever learned about who we are just like we did to become who we are in this reality in the first place. It's a wonderful paradox.

Mark was asked what is a toggle? It's a switch, an on-off switch, just like computers basically go down to a simple binary code. On. Off. So what differentiates 'my' perception from 'your' perception depends upon what we have toggled.

There was further discussion about the concept of inertia and momentum and these terms were explained more in detail. Myrna asked why inertia was used concerning momentum when the term can also mean 'non-moving.'

John explained that inertia means that a body tends to remain in a state of motion or rest until and unless acted upon by an outside force. If a person is sitting there, they will tend to want to stay sitting there even though they are pushed. That's inertia, the tendency to continue doing what one is doing, whether action or non-action.

Mark qualified that to say that if a person is sitting there they will continue to sit there until and unless some external force or another person pushes you to move and the same applies if you are moving. The concept being that it takes an 'outside' force to either engage movement or stop movement. But what Kris says is that even if you think there is no movement, there actually IS movement but you are simply not perceiving it at that time.

[Mark’s Notes: The “Grid of Perception” transcript was recorded on June 28, 2004 during a walk. The transcript is online at http://www.krischronicles.com/transcripts2/grid-walk-june28-04.html]

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